The concept:
SCP is a pigment of "Mayan Blue" color developed and mass produced in the early 1900s by a now defunct chemical company. A chemical mystery for many years, the company appears to have uncovered a long lost technique dating back to the Mayan's that creates the pigment, which carries unexpected anomalous properties. These properties carry over to any object painted or colored with the pigment. Any surfaces colored with the blue will act as a sort of dimensional rift, with objects able to pass through into it. While most objects do not have enough painted surface area to pose major physical risk, if an individual were to pass through completely, they would find themselves in another dimension. In particular, a dimension that seems to largely be the inspiration for much of Mesoamerican mythology; populated with many entities from those myths.The land has also been settled long ago by none other than the Mayans themselves, a people who history recounts as seemingly having disappeared near the decline of their civilization.
quickly noting; I would recommend cutting down the length of the concept, currently the information here could either be summed up, or some other aspects could be cut out completely, (detailing on people fitting into the objects, an in depth description on the mayans ect.).
That said, the concept as a whole sounds pretty interesting to me. My only real concern here is the mayans themselves. Currently, the concept sort of feels like its trying to explain/cater to what specifically happened to the mayans, and why their historical records disappeared so suddenly, rather than focusing wholly on the core idea.
Along with this, I feel the actual dimension, and the beings that live in it aren't really expanded upon, or given much more context than "the mayan gods live here", in either the concept or narrative.- what part do these beings play in the concept? how does this all relate back to the paint? what was the paint made to achieve?
The narrative:
For years, the foundation has contained a number of the pigmented objects and has largely erased the existence of the pigment from record. Over time, the anomalous affects have faded from all objects large enough to pass through and connection with the other world has been lost; all attempts to recreate the pigment have proved futile. That is until in the late 1900's a university researcher and avid collector of "rare colors" stumbles across an un-found document on the pigment and attempts to recreate it thinking the pigment had simply been lost to the ages. The researcher eventually succeeds and unwittingly stumbles into the other world after painting his office wall. The incident ends up on the desk of the Foundation and an expedition into the rift is launched with the hopes of retrieving the professor so that they may acquire his knowledge on the creation of the pigment.
Overall, it doesn't really feel theres much of a setup here? currently the Foundation already seems to have discovered the skip, and are already aware of this mystery company.- how exactly did they get this information initially? and how did they become aware of the skips effects?
Along with this, I'm not not particularly sure why the Foundation decided to risk personnel for a colour recipe. They don't really have any established motives or reason to be so set on finding the chemical combo for the pigment. As a result the narrative feels kind of flat, as the Foundation is essentially just going on a random quest because….. they felt like it?
^to me, this random quest feels like a quick way to show the skip off.
As another note/issue; the narrative never really details what goes down in this dimension. What exactly is leant about the skip (does anything help answer the questions from the concept?), is the professor retrieved? who are the characters? how does the narrative end?-whats the payoff and how should that make me as the reader feel?
Red or green?…. plus some final thoughts
Due to my afore mentioned concerns, no-greenlight.
Currently the narrative needs a bit more context, it feels as though major plot points, motives and character arcs are missing, which makes the narrative feel unfinished and a bit flat to me. As there isn't much to get emotionally invested in.
Along with this, I would recommend looking at either linking the cultures and the beings that live in the Dimension with the paint and its purpose, or look at cutting them out for time being. Currently they don't really seem to add anything to the concept or narrative, which makes them feel bit disjointed.
If you would like me review this (or any concept) further, then please feel free to send me a PM or ask via IRC. Response times generally range from 2-12 hours over PMs. If your looking for additional critiques/perspectives in general, then I would highly recommend contacting the butterfly squad :)